The theory of the innate structure of the human soul and the dynamics of personality development relating to the practice of psychoanalysis, a method of research and treatment for mental disorders (psychopathology). Laid out by Sigmund Freud in
the late 19th-century.
A field of Post-structuralist Critical Theory that is broadly associated with the study and theorisation of gender and sexual
practices that exist outside of heterosexuality, and which challenge the notion that heterosexuality is what is
normal.
A written note, usually by the stage manager, summarising what happened in a rehearsal and what’s needed next / sent to the entire cast, crew, and production
teams.
A portable platform, to give a person prominence / usually in the form of a collapsible hinged framework (called the gate) and a separate top
(called the lid).
A sequence of performances of the same production at a certain locality /
A rehearsal of a scene, an act, or the complete play without interruption by the director, e.g., the stage manager might inform the cast that they will “run” Act 2. (A walk-through of a scene would be done slowly, to make changes
or take notes.)
The study of signs and symbols in performance – how meaning is created through visual and auditory elements, like costumes, gestures,
lighting, and staging.
A written report by stage management noting problems, running times, show staff, and audience numbers for the previous
days’ performances / it is circulated to the technical
and management teams.