1) Neutral material or designed scenery that defines the performance space and conceals the technical areas from the view of the audience.
2) Masking can also refer to the general concept of something being concealed from the view of the audience, e.g., an
actor can be masked by a set piece, another actor, or even the actor themselves by not opening their body to the audience. This is usually
undesirable.
A theory oscillating between Modernism and Post-modernism, emphasising inclusivity and empathy.
It can also be described as the swinging-back-and- forth of hope and
cynicism, enthusiasm and apathy, and sincerity and
irony.
It encompasses universal truths (grand narratives), such as science, religion, and collectivism. Stems from around the late 19th to the first half of the 20th century, particularly in the
1930s in art and music.
A sequence of shots edited together to condense time or summarise information / a film editing technique juxtaposing shots to create new meaning. Also used in theatre for rapid
scene changes.