Developed by Bertolt Brecht / it aims to provoke critical thinking rather than emotional identification, emphasising social and political commentary through fragmented narratives and alienation / often breaking the “fourth
wall”.
A philosophical movement that explores the apparent meaninglessness of our existence and our individual
choices, freedoms, anxieties, and responsibilities that emerge as a
consequence.
An early 20th-century movement in the arts that uses distortion of reality, exaggeration, and symbolism to express inner emotions rather than
external reality.
A frame formed by scenic canvas or vertical flat scenery within the proscenium arch / used to reduce the size of the proscenium opening when placing a small set on a
large stage.
Performances critiquing gender roles and patriarchy, often by women’s collectives. It examines how gender roles, identity, and representation impact theatre and film, seeking to challenge patriarchal narratives and amplify
women’s voices.