A Southern African philosophy associated with the dictum "umuntu ngumuntu ngabantu" (isiZulu / isiXhosa) or "motho ke motho ka batho babang" (Sesotho), popularly translated as “I am because we are, and we are because I am.” Ubuntu emphasises community, human relationality, and the
collective good.
An actor who studies one (or more) of the principal roles and can take over the role should the original actor cast in the role not
be able to perform.
A mechanised stage where the scenery is moved into position on large sliding platforms from large storage areas on the sides and rear of the stage. The platform is moved into position and then lowered to be level with the stage floor. This allows for complex scene changes to be done
instantly.
The general name for the costume department, its staff, and the accommodation they occupy. (The room / area used to store costumes is
called the garderobe.)
A 19th-century French form with tight plots, surprises, and resolutions, exemplified by Eugène Scribe. Its aim is not naturalism, depth of character, or intellectual
substance.
High-wattage fluorescent lighting used to illuminate the stage and backstage areas when working in the theatre or rehearsing without stage lights / also
referred to as workers.