A specific branch of existentialist philosophy most often associated with the work of Albert Camus. A philosophy in theatre highlighting life’s lack of inherent meaning, e.g., as in the works of Samuel Beckett and
Ionesco.
The emotional and
intellectual distance between the audience and the performance, allowing the audience to see the play as an artwork, and to
observe critically.
Bertolt Brecht’s technique of making the familiar strange – using narration, song, or superficiality – preventing the audience from becoming emotionally involved, but instead encouraging social reflection rather
than emotional escape.
A filmmaking technique that creates the illusion of movement by displaying a series of individual frames or drawings.
Additionally, a genre that involves transforming something static into
something in motion.
Theatre practices used for social or political change, education, or community development / often in non-traditional venues or
spaces (e.g., prisons, schools, social work
settings).
The assistant stage manager is the most junior member of the stage management team and is often responsible for sourcing and running properties during the run of a show, and is also a
member of the stage crew.